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The Future of Superhero Filmmaking Has Never Been More Exciting

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Have you ever noticed we trip over ourselves talking about the importance of Oscar films but tilt our heads at someone who says a superhero is important to them? We pick and choose when fiction is supposed to mean something, when it’s supposed to have an impact, and when it’s supposed to be fluff. It’s funny when you think about it. If you talk to any writer or artist, they’d tell you they’re creating to make people feel something. It may have taken me a long time to freely admit it but I’m a 34-year-old woman and superheroes make me feel a lot. And I’d like everyone else to have the opportunity to feel the same way.

As a redhead with curly hair and freckles in the 80s, I rebuked Annie comparisons (Why did people have to touch my hair?) but adored Pippi Longstocking. I had She-Ra’s sword to play with at home and my eyes widened atWillow’s Sorsha. These characters are some of my earliest memories of media I latched on to, but it wasn’t until Supergirl came along that I found a character who made me feel like I could  do anything.

Have you ever noticed we trip over ourselves talking about the importance of Oscar films but tilt our heads at someone who says a superhero is important to them? We pick and choose when fiction is supposed to mean something, when it’s supposed to have an impact, and when it’s supposed to be fluff. It’s funny when you think about it. If you talk to any writer or artist, they’d tell you they’re creating to make people feel something. It may have taken me a long time to freely admit it but I’m a 34-year-old woman and superheroes make me feel a lot. And I’d like everyone else to have the opportunity to feel the same way.

As a redhead with curly hair and freckles in the 80s, I rebuked Annie comparisons (Why did people have to touch my hair?) but adored Pippi Longstocking. I had She-Ra’s sword to play with at home and my eyes widened atWillow’s Sorsha. These characters are some of my earliest memories of media I latched on to, but it wasn’t until Supergirl came along that I found a character who made me feel like I could do anything.

I was only two when Supergirl, starring Helen Slater, debuted in 1984, but it was a hell of a year for film — Ghostbusters, The Karate Kid, Indiana Jones and the Temple of Doom, The Never Ending Story — and that’s just a fraction of what was released. I didn’t see any of them until a few years later, not just because I was too young but because we didn’t go to the movies as a family very often. My mom gave me most of my film experiences via the local library’s VHS rental section. Their Supergirl tape got worn out.

Supergirl was directed by Jeannot Szwarc and had a screenplay by David Odell (he wrote other 80s classics The Dark Crystal and Masters of the Universe). Sadly, it was not the success the studio was hoping for and to this day it has a poor reputation in the fan world.

Batman means a lot to me. A lot. (I was one of the subjects of Brett Culp’s Batman documentary, Legend of the Knight) But Supergirl was always the one. I’d seen Richard Donner’s Superman and loved it, but seeing a woman onscreen doing those same heroic deeds, saying those inspirational words and overcoming the odds meant so much more to me. I didn’t realize until probably college that others had a bad impression of the film but when I think about Supergirl, I don’t think about that. I think about what that character, actor, and film meant to me as a young girl.  But age isn’t always a factor as I found out just a few weeks ago while sitting down for Patty Jenkins’ Wonder Woman for the first time. Seeing Themiscyra’s Amazons as a living, breathing society brought me to tears almost immediately. Diana, ignoring pleas from others and crossing No Man’s Land to save people because it was the right thing to do, brought me to tears again. Everyone deserves to have powerful experiences like that and they shouldn’t be so few and far between.

Talk of diversity and representation in Hollywood (both in front of the screen and behind) is happening more and more these days and that’s good! But too many people are still dismissing the conversations as people trying to be “politically correct” or fill a “quota” rather than creating something that actually mirrors what we see around us in the world, or providing everyone sitting in those seats with an experience that will resonate with them personally. While I greatly enjoyed Wonder Woman and think it will have a great impact overall, it’s not the end of the story. The casting of the Amazons was incredibly diverse but the roles for women of color weren’t what they should be in 2017.

2017. That’s something I keep coming back to in recent months whenever someone tries to give me a weak argument as to why we’re not seeing more progress in Hollywood. It’s 2017! Fiction told us we’d have flying cars (we’re at self-driving) and robots in every house (Hey, Alexa!) but we’re just getting a Black Panther movie next year?

Hollywood made Spawn in 1997, then Blade in 1998 (plus two sequels), why did it take so long to get another black superhero on screen? The positive reaction to Marvel’s firstBlack Panther teaser trailer was huge. The audience is there, it’s always been there and Hollywood has, for the most part, been ignoring it. As a comic book and comic book movie fan, I loved what I saw in that teaser and watched it several times, but it doesn’t mean to me what it means to black fans. And I don’t understand how anyone looking at those passionate reactions can question the necessity and frequency of these projects. Last year Marvel brought us Luke Cage on Netflix, next year will see DC Comics’ Black Lightning on The CW. Good! But why did it take so long? And where are the Asian leads? White is not the default.

Of course, this conversation goes outside superhero cinema and the diversity conversation is about more than just race. LGBTQ representation is dismal, as GLAAD reminds us each year. Cisgender actors playing transgender characters has always been frustrating to see but in 2017, Matt Bomer’s casting in Anything comes off more insulting than ever (at least one transgender woman auditioned for the part). It wasn’t until ABC’sSpeechless debuted last year that I saw representation similar to what I live every day in my wheelchair. And portrayed by an actor with a disability. It’s 2017. We need to do better and honestly, it’s not that hard to do so.

I read a piece after Wonder Woman’s release telling readers not to forget about the men who helped make it successful and laughed. The author’s point was essentially that everyone is a movie-goer and, for the most part, will always show up at the theater and be part of the film’s box office numbers. Which, yeah, of course, we all love movies. But why shouldn’t we be celebrating the times when a specific demographic gets something aimed at them? Of course we should celebrate real life role models and heroes, but seeing fictional characters (superheroes or not) that look like us is important too (“if she can see it, she can be it”). Reading the notes director Patty Jenkins’ producer sent to herof little kids reacting to Wonder Woman and the Amazons and seeing the Twitter reactions to the Black Panther trailer reminds us of that. Supergirl may have been myWonder Woman but Wonder Woman will be something special to a lot of people. And Black Panther. And the next project, and the next. I’m not a producer, I don’t greenlight projects, but I can keep talking about representation. And I will.


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